New Flickr assignment

Readers of this blog might remember the series of Flickr assignments I did last year in conjunction with my exhibition From Here To There at the Walker Art Center. With the exhibition now moving to the Everson Museum in Syracuse, we’re now launching one more assignment:

Rephotographing Icons

Alec Soth, Migrant MotherIn mounting an exhibition of my pictures made in America, I’ve thought a lot about the influence the American photographic tradition has had on me. Rather than run away from this tradition, I’ve come to embrace it. Recently I’ve even experimented with recreating iconic photographs much the way a painter might draw from the masters (more examples here). I’ve found the process to be both educational and just plain fun.

For this assignment, I’d like participants to do their own recreations of iconic photographs, and upload them to the group Flickr pool. Don’t forget to label your photo with the title of the original work that inspired it.

From the submitted images, I’ll chose 3 winners. Each winner will receive a signed copy of the From Here To There catalog. The deadline for submitting is January 12, 2012.

To participate, go here

 

 

The art of speculation

Last night Errol Morris posted a wonderful series of tweets:

For what it is worth, I subscribe to every single one of these assertions. But the fun part of reading this is thinking about the implications for fine art photographers. What does the clumsy and pretentious term ‘Fine Art Photographer’ mean? For me it means the kind of photography in which authorship is essential to the reading of the pictures. With this in mind, Morris’s 2nd point is key:

The intentions of the photographer are not recorded in a photographic image. (You can imagine what they are, but it’s pure speculation).

This speculation is at the heart of what we call fine art photography.When I look out Robert Franks’s window in Butte Montana, I hold in my head all of the other pictures in The Americans along with some words by Kerouac and whatever else I know about Frank and his biography. In other words, the intentions of the photographer might not be recorded, but their speculation is essential to the experience of the work.

This is a point Geoff Dyer eloquently makes about Frank in his book The Ongoing Moment:

“The pictures are apparently so casual as to seem hardly worth dwelling on. If we do choose to linger it is often to try to work out why Frank took a particular picture (what’s so special about this?)…The purpose of the photograph made from a hotel window in Butte, Montana is to confirm that the view, partly hindered by net curtains, does not merit a second glance (as such the photograph demands that we return to it again and again).”

So what is the photographer’s intention when he recreates another photographer’s picture? I’ll leave that for you to speculate.


Alec Soth, from the series Broken Manual, 2008

Bunny Boy Goes To Rome

I’m leaving on a jet plane today for Moscow and Rome. In my luggage I’ll be carrying a fresh new LBM publication: Bunny Boy Goes To Rome. Following up on the last year’s Brighton Bunny Boy, this new publication features another thrilling adventure from Carmen Soth (drawings, photos & story), Gus Soth (Bunny Boy), Rachel Soth (bunny wrangling) and myself (director).

Check out the new zine here

Buy your copy here (order soon – Brighton Bunny Boy is already SOLD OUT)

Y’rs,

The End of Summer Redux

A year ago I wrote a post saying that the blog was quiet because we were busy working on a bunch of projects. Well, a year as passed and most of those projects came to fruition. But, alas, the blog has gone quiet again. So here’s a little update on what’s going on for the next month and a half.

Soon enough we should have details about our new books and projects. But in the meantime, LBM is having a retreat in Los Angeles where we are taking a break from business and industry. You can see a few snapshots of our teambuilding exercises on Tumblr and Facebook. Woo Hoo,

*** Benefit for Leon Shambroom ***


England. New Brighton, From The Last Resort. 1983-1985 by Martin Parr 

Leon Shambroom, the 25-year-old son of Joan Rothfuss and Paul Shambroom, suffered a severe brain injury in a July 2010 house fire in South Minneapolis. Smoke inhalation and carbon monoxide poisoning have left Leon unable to walk or talk. He requires 24-hour care with daily tasks, and he will face other hurdles in the coming months. Things are likely to become complicated and very expensive owing to the typical bureaucratic hoops too often encountered by patients and their families in the aftermath of catastrophic medical events.

On July 14th, at the Weinstein Gallery in Minneapolis, we will be holding a silent auction for Leon. Over 50 renowned artists, both local and from around the world, have generously donated works to be sold in the silent auction. Please come to show your loving support to our friends in need, and enjoy a night of music, food and art.

Hosts: Alec Soth, Carrie Thompson, Brian Ulrich, Weinstein Gallery and The Minneapolis College of Art and Design.

With a musical performance by Channy from Roma di Luna

Thursday July 14, 2011
Reception: 6pm – 9pm
Auction 6pm – 8pm

Weinstein Gallery
908 West 46th Street
Minneapolis, MN 55419
612-822-1722

Sorry, there are no provisions for those who can’t attend to bid. There may be something on-line later for work not sold at the event, if so we’ll let you know.


“Summer has set in with its usual severity” Samuel Taylor Coleridge

Forgive the silence on the blog of late. It has been a tumultuous couple of months. First there was the relatively short but seemingly epic Postcards From America road trip. Here’s a picture from Uncle Jackson’s shotgun:

Following that I was in Rome for three weeks working on a commission for FOTOGRAFIA – International Festival of Rome in which I photographed, among other things, a snake:

While in Europe I stopped by Paris for some exciting Magnum meetings:

Now I’m finally home for at least a week. One of the most exciting things about coming home was seeing this new book in the mail:

I still have a few more trips to go this summer. But soon enough I hope to be back in the digital saddle. Till then…