Hey, Les. Check this out.
While his companions (the apostles Peter, James, and John) sleep in a garden, a troubled man (Christ, contemplating his imminent crucifixion) is consoled by an angel. Aert, who was a devoted student of Rembrandt, rendered the central figures with sympathy and focus, yet his view from within the woods, behind the insensible, indistinct mound of sleeping men, maintains distance. Was that skepticism? Modesty? Reverence? A man’s trials are his own, yet they need not be borne alone, and they are often witnessed and remarked on from afar. And yes, many of us late-night seekers long for an angel of deliverance.
There’s a feeling of a cave here, too, or at least a cove. So many of our LBMs suffer in silence. Did Aert depict their utopia?
I like the fact that he did Jesus in such a non-fussy way. Just another burdened fella trying to sort it all out.